Reading List
Reading List
Z
Z
Zapatista Army of National Liberation, Introduction, Sixth Declaration of the Selva Lacondona
Zapatista Army of National Liberation, Introduction, Sixth Declaration of the Selva Lacondona
W
W
Wardwell, Mariana. Zonas de Disturbio: Espectros del México Indígena en la Modernidad. 2015. (selections)
Wardwell, Mariana. Zonas de Disturbio: Espectros del México Indígena en la Modernidad. 2015. (selections)
V
V
Virno, Paolo. “Jokes and Innovative Action: For a Logic of Change,” in Multitude Between Innovation and Negation (Los Angeles: Semiotext(e), 2008).
Virno, Paolo. “Jokes and Innovative Action: For a Logic of Change,” in Multitude Between Innovation and Negation (Los Angeles: Semiotext(e), 2008).
T
T
S
S
Sullivan, Graeme. Art Practice as Research: Inquiry in the Visual Arts. London: Sage, 2005.
Sullivan, Graeme. Art Practice as Research: Inquiry in the Visual Arts. London: Sage, 2005.
Spivak, Gayatri Chakravorty. An Aesthetic Education in the Era of Globalization. Cambridge, Mass.: Harvard Univ. Press, 2011.
Spivak, Gayatri Chakravorty. An Aesthetic Education in the Era of Globalization. Cambridge, Mass.: Harvard Univ. Press, 2011.
Smithson, Robert. The Collected Writings. Edited by Jack Flam. Berkeley: University of California Press, 1996.
Smithson, Robert. The Collected Writings. Edited by Jack Flam. Berkeley: University of California Press, 1996.
Slanar, Claudia. “Interview with Warren Neidich.” New Interactive Practices in Contemporary Art, edited by Kathryn Brown (I.B. Tauris, 2013).
Slanar, Claudia. “Interview with Warren Neidich.” New Interactive Practices in Contemporary Art, edited by Kathryn Brown (I.B. Tauris, 2013).
Slager, Henk and Annette Artistic Research. Vol. 18. Lier en Boog [Dutch Society for Aesthetics], 18. Amsterdam: Rodopi, 2004.
Slager, Henk and Annette Artistic Research. Vol. 18. Lier en Boog [Dutch Society for Aesthetics], 18. Amsterdam: Rodopi, 2004.
Singerman, Howard. Art Subjects: Making Artists in the American University. Berkeley and Los Angeles: University of California Press, 1999.
Singerman, Howard. Art Subjects: Making Artists in the American University. Berkeley and Los Angeles: University of California Press, 1999.
Schon, Donald A. The Reflective Turn: Case Studies In and On Educational Practice. New York: Teachers College Press, 1991.
Schon, Donald A. The Reflective Turn: Case Studies In and On Educational Practice. New York: Teachers College Press, 1991.
R
R
Mark Ruwedel, “The Land as Historical Archive.” American Art Vol. 10, Issue 1 (Spring 1996): 36-41.
Mark Ruwedel, “The Land as Historical Archive.” American Art Vol. 10, Issue 1 (Spring 1996): 36-41.
P
P
Payne, Antonia. Research and the Artist: Considering the Role of the Art School. Oxford: University of Oxford, 2000.
Payne, Antonia. Research and the Artist: Considering the Role of the Art School. Oxford: University of Oxford, 2000.
O
O
O'Neill, Paul and Mick W. Curating and the Educational Turn. Amsterdam: Open Editions / De Appel Arts Centre, 2010.
O'Neill, Paul and Mick W. Curating and the Educational Turn. Amsterdam: Open Editions / De Appel Arts Centre, 2010.
O'Neill, Paul. Curating Subjects. Amsterdam: Open Editions and De Appel Arts Centre, 2007.
O'Neill, Paul. Curating Subjects. Amsterdam: Open Editions and De Appel Arts Centre, 2007.
N
N
Neidich, Warren. Cognitive Architecture: From Biopolitics to Noopolitics. Architecture & Mind in the Age of Communication and Information, edited by Deborah Hauptmann and Warren Neidich. (Rotterdam: 010 Publishers, 2010).
Neidich, Warren. Cognitive Architecture: From Biopolitics to Noopolitics. Architecture & Mind in the Age of Communication and Information, edited by Deborah Hauptmann and Warren Neidich. (Rotterdam: 010 Publishers, 2010).
M
M
Muñoz, José Esteban. Disidentifications: Queers of Color and the Performance of Politics. Minneapolis: University of Minnesota Press, 1999.
Muñoz, José Esteban. Disidentifications: Queers of Color and the Performance of Politics. Minneapolis: University of Minnesota Press, 1999.
Muenzer, David, and Gareth James, “A Real Problem of Materials: Gareth James in Conversation,” Art Log, 24 October 2011.
Muenzer, David, and Gareth James, “A Real Problem of Materials: Gareth James in Conversation,” Art Log, 24 October 2011.
Moten, Fred. “Blackness and Nothingness (Mysticism in the Flesh).” The South Atlantic Quarterly 112:4 (Fall 2013).
Moten, Fred. “Blackness and Nothingness (Mysticism in the Flesh).” The South Atlantic Quarterly 112:4 (Fall 2013).
Mark, Lisa Gabrielle, ed., WACK!: Art and the Feminist Revolution. Los Angeles: Museum of Contemporary Art, Cambridge, Mass.: MIT Press, 2007.
Mark, Lisa Gabrielle, ed., WACK!: Art and the Feminist Revolution. Los Angeles: Museum of Contemporary Art, Cambridge, Mass.: MIT Press, 2007.
Mann, Paul. The Theory-Death of the Avant-Garde. Bloomington, IN: Indiana University Press, 1991.
Mann, Paul. The Theory-Death of the Avant-Garde. Bloomington, IN: Indiana University Press, 1991.
Malik, Suhail. “Educations Sentimental and Unsentimental: Repositioning the Politics of Art and Education,” in Taipei Biennial Reader (2010).
Malik, Suhail. “Educations Sentimental and Unsentimental: Repositioning the Politics of Art and Education,” in Taipei Biennial Reader (2010).
L
L
Loe, Hikmet Sidney. “On Medium, Narrative and Great Salt Lake: A Discussion with Matthew Coolidge and Tacita Dean.” 15 Bytes: Utah’s Art Magazine (February 2014): 1, 7. http://artistsofutah.org/15bytes/14feb/page1.html
Loe, Hikmet Sidney. “On Medium, Narrative and Great Salt Lake: A Discussion with Matthew Coolidge and Tacita Dean.” 15 Bytes: Utah’s Art Magazine (February 2014): 1, 7. http://artistsofutah.org/15bytes/14feb/page1.html
Loe, Hikmet Sidney. “The Double World: A Survey of Spiral Jetty’s Stewardship.” 15 Bytes: Utah’s Art Magazine (August 2014): 5. ( http://artistsofutah.org/15bytes/14aug/page5.html )
Loe, Hikmet Sidney. “The Double World: A Survey of Spiral Jetty’s Stewardship.” 15 Bytes: Utah’s Art Magazine (August 2014): 5. ( http://artistsofutah.org/15bytes/14aug/page5.html )
Lonzi, Carla. “Let’s Spit on Hegel,” in Patricia Jagentowicz Mills, ed., Feminist Interpretations of G.W.F. Hegel. University Park, Pa.: Pennsylvania State University Press, 1996: 275–298.
Lonzi, Carla. “Let’s Spit on Hegel,” in Patricia Jagentowicz Mills, ed., Feminist Interpretations of G.W.F. Hegel. University Park, Pa.: Pennsylvania State University Press, 1996: 275–298.
Lonzi, Carla. “Excerpt from Introduction to Autoportrait,” trans. Caroline Beamish, in Richard Flood and Morris Frances, eds., Zero to Infinity: Arte Povera, 1962–1972. Minneapolis: Walker Art Center, 2001: 165.
Lonzi, Carla. “Excerpt from Introduction to Autoportrait,” trans. Caroline Beamish, in Richard Flood and Morris Frances, eds., Zero to Infinity: Arte Povera, 1962–1972. Minneapolis: Walker Art Center, 2001: 165.
Lippard, Lucy R. I See/You Mean: A Novel. Los Angeles: Chrysalis Books, 1979.
Lippard, Lucy R. I See/You Mean: A Novel. Los Angeles: Chrysalis Books, 1979.
Lippard, Lucy R. and Charles Simonds, Cracking. Cologne: Verlag der Buchhandlung Walther König, 1979.
Lippard, Lucy R. and Charles Simonds, Cracking. Cologne: Verlag der Buchhandlung Walther König, 1979.
Lippard, Lucy R. Issue: Social Strategies by Women Artists: An Exhibition. London: Institute of Contemporary Arts, 1980.
Lippard, Lucy R. Issue: Social Strategies by Women Artists: An Exhibition. London: Institute of Contemporary Arts, 1980.
Lippard, Lucy R., Connie Butler, Peter Plagens, and Griselda Pollock. From Conceptualism to Feminism: Lucy Lippard’s Numbers Shows 1969–74. London: Afterall Books, 2012.
Lippard, Lucy R., Connie Butler, Peter Plagens, and Griselda Pollock. From Conceptualism to Feminism: Lucy Lippard’s Numbers Shows 1969–74. London: Afterall Books, 2012.
Lippard, Lucy R. (ed.), Six Years: The Dematerialization of the Art Object from 1966 to 1972; A Cross-Reference Book of Information on Some Esthetic Boundaries.... New York: Praeger, [1973].
Lippard, Lucy R. (ed.), Six Years: The Dematerialization of the Art Object from 1966 to 1972; A Cross-Reference Book of Information on Some Esthetic Boundaries.... New York: Praeger, [1973].
Lesage, Dieter and Kathry A Portrait of the Artist as Researcher: The Academy and the Bologna Process. Antwerp: MUHKA, 2007.
Lesage, Dieter and Kathry A Portrait of the Artist as Researcher: The Academy and the Bologna Process. Antwerp: MUHKA, 2007.
Lesage, Dieter. “The Academy is Back: On Education, the Bologna Process, and the Doctorate in the Arts,” in e-flux journal 4 (March 2009).
Lesage, Dieter. “The Academy is Back: On Education, the Bologna Process, and the Doctorate in the Arts,” in e-flux journal 4 (March 2009).
K
K
Kastner, Jeffrey. “There, Now: From Robert Smithson to Guantanamo.” In Max Andrews (ed.), Land, Art: A Cultural Ecology Handbook, 2006: 22–32.
Kastner, Jeffrey. “There, Now: From Robert Smithson to Guantanamo.” In Max Andrews (ed.), Land, Art: A Cultural Ecology Handbook, 2006: 22–32.
Kant, Immanuel. The Conflict of the Faculties. New York: Abaris Books, 1979.
Kant, Immanuel. The Conflict of the Faculties. New York: Abaris Books, 1979.
J
J
James, Gareth. “Please Kill Me: ‘Children of the Projects’ Merlin Carpenter at American Fine Arts, Co., New York,” Texte zur Kunst 51 (September 2003).
James, Gareth. “Please Kill Me: ‘Children of the Projects’ Merlin Carpenter at American Fine Arts, Co., New York,” Texte zur Kunst 51 (September 2003).
I
I
Israel, Nico. “Non-Site Unseen: How I Spent My Summer Vacation,” Artforum, vol. 41, no. 1 (September 2002): 172–177.
Israel, Nico. “Non-Site Unseen: How I Spent My Summer Vacation,” Artforum, vol. 41, no. 1 (September 2002): 172–177.
H
H
Hollier, Denis. “The Use-Value of the Impossible.” Translated by Liesl Ollman. October 60 (Spring 1992): 3-24.
Hollier, Denis. “The Use-Value of the Impossible.” Translated by Liesl Ollman. October 60 (Spring 1992): 3-24.
F
F
Foucault, Michel. The Order of Things: An Archaeology of the Human Sciences. New York: Random House, 1994. (selections)
Foucault, Michel. The Order of Things: An Archaeology of the Human Sciences. New York: Random House, 1994. (selections)
Foucault, Michel. The Archaeology of Knowledge
Foucault, Michel. The Archaeology of Knowledge
Fontaine, Claire. “We Are All Clitoridian Women: Notes on Carla Lonzi’s Legacy.” e-flux journal 47 (September 2013).
Fontaine, Claire. “We Are All Clitoridian Women: Notes on Carla Lonzi’s Legacy.” e-flux journal 47 (September 2013).
E
E
Eco, Umberto. The Open Work. Cambridge, Mass.: Harvard Univ. Press, 1989.
Eco, Umberto. The Open Work. Cambridge, Mass.: Harvard Univ. Press, 1989.
D
D
Downs, Jim and Jennifer Taking Back the Academy!: History of Activism, History as Activism. New York and London: Routledge, 2004.
Downs, Jim and Jennifer Taking Back the Academy!: History of Activism, History as Activism. New York and London: Routledge, 2004.
Doherty, Claire and Paul O., Locating the Producers: Durational Approaches to Public Art. Amsterdam: Valiz, 2011.
Doherty, Claire and Paul O., Locating the Producers: Durational Approaches to Public Art. Amsterdam: Valiz, 2011.
Dietz, Bill. “Composing Listening.” Performance Research 16:3: 56-61.
Dietz, Bill. “Composing Listening.” Performance Research 16:3: 56-61.
Derrida, Jacques. “Mocholos, or The Conflict of the Faculties,” in Eyes of the University, trans. Jan Plug (Stanford: Stanford University Press, 2004), 83–112.
Derrida, Jacques. “Mocholos, or The Conflict of the Faculties,” in Eyes of the University, trans. Jan Plug (Stanford: Stanford University Press, 2004), 83–112.
Dean, Tacita and Richard Torchia (eds.), JG. Glenside, PA: Arcadia University Art Gallery, 2014.
Dean, Tacita and Richard Torchia (eds.), JG. Glenside, PA: Arcadia University Art Gallery, 2014.
Dawsey, Jill. “One on One: Jill Dawsey on Vik Muniz’s ‘Spiral Jetty after Robert Smithson.’” San Francisco Museum of Modern Art – Open Space (January 24, 2011): http://openspace.sfmoma.org/2011/01/jill-dawsey-vik-muniz/
Dawsey, Jill. “One on One: Jill Dawsey on Vik Muniz’s ‘Spiral Jetty after Robert Smithson.’” San Francisco Museum of Modern Art – Open Space (January 24, 2011): http://openspace.sfmoma.org/2011/01/jill-dawsey-vik-muniz/
C
C
Coolidge, Matthew. “A Tour of the Monuments of the Great American Void.” Perspecta, Vol. 41, Grand Tour (2008): 94–101.
Coolidge, Matthew. “A Tour of the Monuments of the Great American Void.” Perspecta, Vol. 41, Grand Tour (2008): 94–101.
B
B
Bourdieu, Pierre. The Logic of Practice. Palo Alto, Calif.: Stanford Univ. Press, 1990.
Bourdieu, Pierre. The Logic of Practice. Palo Alto, Calif.: Stanford Univ. Press, 1990.
Bourdieu, Pierre. Outline of a Theory of Practice. Cambridge: Cambridge Univ. Press, 1977.
Bourdieu, Pierre. Outline of a Theory of Practice. Cambridge: Cambridge Univ. Press, 1977.
Bourdieu, Pierre. “The Field of Cultural Production, or: the Economic World Reversed.” In The Field of Cultural Production, 29-71. Edited by Randal Johnson. New York: Columbia University Press, 1993.
Bourdieu, Pierre. “The Field of Cultural Production, or: the Economic World Reversed.” In The Field of Cultural Production, 29-71. Edited by Randal Johnson. New York: Columbia University Press, 1993.
Bosteels, Bruno. “Introduction,” in Wittgenstein’s Philosophy (London; New York: Verso, 2009).
Bosteels, Bruno. “Introduction,” in Wittgenstein’s Philosophy (London; New York: Verso, 2009).
Biggs, Michael; Henrik Kar The Routledge Companion to Research in the Arts. New York: Routledge, 2010.
Biggs, Michael; Henrik Kar The Routledge Companion to Research in the Arts. New York: Routledge, 2010.
Benjamin, Walter. The Origin of German Tragic Drama. Translated by John Osborne. New York: Verson, 1998.
Benjamin, Walter. The Origin of German Tragic Drama. Translated by John Osborne. New York: Verson, 1998.
Bataille, Georges. The Accursed Share: An Essay on General Economy, vol. I: “Consumption.” New York: Zone Books, 1988.
Bataille, Georges. The Accursed Share: An Essay on General Economy, vol. I: “Consumption.” New York: Zone Books, 1988.
Balibar, Etienne. "The Nation Form: History and Ideology." In Race, Nation, Class: Ambiguous Identities. Translated by Chris Turner. New York: Verso, 1988.
Balibar, Etienne. "The Nation Form: History and Ideology." In Race, Nation, Class: Ambiguous Identities. Translated by Chris Turner. New York: Verso, 1988.
Baker, George. “The Cinema Model,” in Lynne Cooke and Karen Kelly, eds., Robert Smithson: The Spiral Jetty. New York: Dia Center for the Arts with the University of California Press, 2005.
Baker, George. “The Cinema Model,” in Lynne Cooke and Karen Kelly, eds., Robert Smithson: The Spiral Jetty. New York: Dia Center for the Arts with the University of California Press, 2005.
Ballard, J.G. “The Voices of Time” (1960)
Ballard, J.G. “The Voices of Time” (1960)
A
A
Ault, Julie. Remembering and Forgetting in the Archive: Instituting 'Group Material' (1979-1996). Vol. PhD. Doctoral Studies and Research in Fine and Performing Arts, PhD. Malmö: Malmö Art Academy, 2011.
Ault, Julie. Remembering and Forgetting in the Archive: Instituting 'Group Material' (1979-1996). Vol. PhD. Doctoral Studies and Research in Fine and Performing Arts, PhD. Malmö: Malmö Art Academy, 2011.
Allen, Felicity. Education: Documents of Contemporary Art. London and New York: Whitechapel Gallery and MIT Press, 2011.
Allen, Felicity. Education: Documents of Contemporary Art. London and New York: Whitechapel Gallery and MIT Press, 2011.
Adorno, Theodore. “Motifs.”
Adorno, Theodore. “Motifs.”